Pentathlon

Definition and stakes

Edward M. Plummer,  Athletics and Games of the Ancient Greeks

“ Pausanias especially mentions the fact that the leaping of the pentathli in the Olympic festival was accompanied by airs on the flute. This music was probably to open the pentathlon, the most splendid and stirring of gymnastic contests, as well as to increase the courage of the leapers.
The only leap that belonged to the pentathlon was the standing long jump. There is no trace of anything like the hop, step and jump. The figures of athletes on vases are represented not as running, but as standing and swinging the ἁλτῆρες.
”
Source: Gutenberg

E. Norman Gardiner,  Greek Athletic Sports and Festivals

“ The pentathlon began with the foot-race. The distance was a stade. The race might be run in heats if necessary; but there is no evidence for them in the pentathlon. The starting lines at Olympia could accommodate twenty starters, and it does not seem probable that there were often so many entries. The competitions in jumping, throwing the diskos and the javelin, were conducted as in the present day, all competing against all. The jump was a long jump; the diskos and the javelin were thrown for distance, not at a mark. Wrestling was conducted on the tournament principle. ”
Source: Gutenberg

E. Norman Gardiner,  Greek Athletic Sports and Festivals

“ As it is, we are not concerned with an ideal pentathlon but with that of the Greeks, and there is not a particle of evidence to prove that the Greeks arranged their pentathlon on any abstract principle however plausible. All we can do is to confine ourselves to the actual evidence, and the order which this evidence renders probable is foot-race, jump, diskos, javelin, wrestling. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature