Evan James Macgillivray

Summary

Evan James Macgillivray The Copyright Act, 1911, annotated (1912)

There is a residuum of the artistic elements which is left unpublished, but that residuum may be just as important in the case of a photograph of a picture as in the case of a photograph of a work of sculpture. It is therefore extremely arbitrary and artificial to provide that the publication of a photograph of a picture shall be deemed to be a publication of the picture, but that the publication of a photograph of a work of sculpture shall not be deemed to be a publication of the work of sculpture.
Source: Wikisource

Evan James Macgillivray The Copyright Act, 1911, annotated (1912)

Where certain features only of an original work are published in a derivative work, and other features are left unpublished, it would be impossible to lay down a rule by which it could be determined in all cases whether or not the original work was published. Probably the best construction to put upon the words of the proviso is that they do not contain an exception from the general definition of publication, but are merely an attempt to express the consequences of its application to the specific subjects dealt with, and even so that they do not completely express such consequences.
Source: Wikisource

Evan James Macgillivray The Copyright Act, 1911, annotated (1912)

The exclusive right of representing a work in some transitory form is, however, and almost necessarily so, confined to public representation. Performances of dramatic or musical works, recitations, cinematograph shows, and all similar transitory representations of a work are not infringements of copyright where the entertainment is obviously domestic and private. In order to constitute a public performance there must be present members of the public admitted as such.
Source: Wikisource

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