Summary

Portrait of Fannie Hurst Fannie Hurst Every Soul Hath Its Song

A peasant can look on at a poet with no thought to barter his black bread and lentils for a single gossamer fancy. Backstair slaveys vie with each other whose master is more mighty. And this is the story of Millie Moores who, with no anarchy in her heart and no feud with the human democracy, could design for women to whom befell the wine and pearl dog-collars of life, frocks as sheer as web, and on her knees beside them, her mouth full of pins and her sole necklace a tape-measure, thrill to see them garbed in the glory of her labor.
Source: Gutenberg

Portrait of Fannie Hurst Fannie Hurst Every Soul Hath Its Song

Mrs. Shongut clasped her cheeks in the vise of her two hands. "Married out! She reproaches me yet—a mother that would go through fire for her children's happiness!"
"Always you're making me uncomfortable that I'm not married yet—not papa or Izzy, but you—you! Never does one of the girls get engaged that you don't look at me like I was wearing the welcome off the door-mat."
"Listen to my own child talk to me! No wonder you cry so hard, Renie Shongut, to talk to your mother like that—a girl that I've indulged like you. To sass her mother like that!
Source: Gutenberg

Portrait of Fannie Hurst Fannie Hurst Every Soul Hath Its Song

A messenger with a tipsy spray of holly stuck upright in his cap whacked with a folded newspaper at a fellow-messenger's swift legs and darted in and around the knees of the crowd. A prodigal hesitated, then bought a second-class ticket for home. Two nuns hurried softly on missions of Christmas.
The low thunder of a thousand feet: tired feet, eager feet; flat feet; shabby feet; young feet; callous feet; arched and archless feet. Voices that rose like wind to a gale. A child dragged by the arm and whimpering. A group of shawled strangers interchanging sharp jargon.
Source: Gutenberg

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