Summary

Fay-Cooper Cole The Tinguian: Social, Religious…

When the grave is ready, the fact is announced in the dwelling, and is the signal for renewed lamentation. The wife and near relatives throw themselves on the corpse, caressing it and crying wildly. Whatever there may have been of duty or respect in the wailing of the first two days, this parting burst of sorrow is genuine. Tears stand in the eyes of many, while others cease their wailing and sob convulsively.
Source: Gutenberg

Fay-Cooper Cole The Tinguian: Social, Religious…

But before anything is eaten, the medium places prepared betel-nuts before the stones, mixes blood with rice, and scatters it broadcast, meanwhile calling the spirits from near and far to come and eat, and to go with her to the village, where she is to continue the ceremony. As the company approaches the balaua, the musicians begin to beat on their gongs, while women in the yard pound rice in ceremonial fashion. When they have finished, the family goes up into the balaua and dances to the music of the gongs until the medium bids them stop.
Source: Gutenberg

Fay-Cooper Cole The Tinguian: Social, Religious…

That night the men spend about an hour in the house of mourning, singing sang-sangit, a song in which they praise the dead man, encourage the widow, and bespeak the welfare of the family. The wailers still remain in the dwelling to protect the widow, and a male relative is detailed to see that the fire at the foot of the ladder is kept burning brightly.
Early the next morning, the widow, closely guarded by the wailers, goes to the river, throws her headband into the water, and then goes in herself. As she sinks in the water, an old man throws a bundle of burning rice-straw on her.
Source: Gutenberg

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