Francis Llewellyn Griffith

Summary

Francis Llewellyn Griffith 1911 Encyclopædia Britannica (1911)

For though we may be sure that the shape of an animal was that in which these gods were literally visible to their worshippers, yet it is impossible to tell whether some one living animal was chosen to be the earthly tenement of the deity, or whether he revealed himself in every individual of a species, or whether merely the cult-image was roughly hewn into the shape of an animal.
Source: Wikisource

Francis Llewellyn Griffith 1911 Encyclopædia Britannica (1911)

The conception of the tomb as the residence of the dead is the fundamental notion that underlies all the ritual observances in connexion with the dead, just as the idea of the temple as the dwelling-place of the god is the basis of the divine cult. The parallelism between the attitude of the Egyptians towards the dead and their attitude towards the gods is so striking that it ought never to be lost sight of: nothing can illustrate it better than the manner in which the Osirian doctrines came to permeate both kinds of cult.
Source: Wikisource

Francis Llewellyn Griffith 1911 Encyclopædia Britannica (1911)

It is not so much as king of the dead that Osiris here appears, but every deceased Egyptian was regarded as himself an Osiris, as having undergone all the indignities inflicted upon the god, but finally triumphant over the powers of death and evil impersonated by Seth. This notion became so popular, that beside it all other views of the dead sink into insignificance; it permeates the funerary cult in all its stages, and from the Middle Kingdom onwards the dead man is regularly called “the Osiris so-and-so,” just as though he were completely identical with the god.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature