Summary

Portrait of George Moore George Moore Memoirs of My Dead Life

The music suddenly stopped and Doris said:
"If we are to catch our train we must go on with our packing."
"You mustn't talk to me of trains," and overcome with a Schumann-like longing and melancholy I took her in my arms, overcome by her beauty. She was perfection. No Chelsea or Dresden figure was ever more dainty, gayer, or brighter. She was Schumann and Dresden, but a Dresden of an earlier period than Schumann; but why compare her to anything? She was Doris, the very embodiment of her name.
"Ah, Doris, why are we leaving here? Why can't we remain here for ever?"
Source: Gutenberg

Portrait of George Moore George Moore Memoirs of My Dead Life

Even with the thought of Doris's kisses in my mind, I could admire the road and the curves of the bay. I felt in my pocket for a piece of paper and a pencil. The colour was as beautiful as a Brabizon; there were many tints of blue, no doubt, but the twilight had gathered the sea and sky into one tone, or what seemed to be one tone.
"You wanted to see olive trees--those are olives."
"So those are olives! Do I at last look upon olives?"
"Are you disappointed?"
"Yes and no. The white gnarled trunk makes even the young trees seem old. The olive is like an old man with skimpy legs.
Source: Gutenberg

Portrait of George Moore George Moore Memoirs of My Dead Life

I had risen and come away from long months of toil; and I remember how I told Doris as we drove across those fields towards the hills, that it was not her beauty alone that interested me; her beauty would not be itself were it not illumed by her wit and her love of art. What would she be, for instance, if she were not a musician? Or would her face be the same face if it were robbed of its mirth? But mirth is enchanting only when the source of it is the intelligence. Vacuous laughter is the most tiresome of things; a face of stone is more inveigling.
Source: Gutenberg

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