Summary

Gideon Algernon Mantell The Medals of Creation, Volumes 1 and 2

Here there is an entire mountain of limestone, formed by a protrusion of numerous strata, many hundred feet in thickness, through the once superincumbent beds of millstone grit and sandstone, into a dome-shaped mass, upwards of 800 feet high. And there it stands, a stupendous monument of one of the past revolutions of the globe, with its arches of rifted rock, supported by a central mound of erupted mineral matter, now cooled down into an amorphous mass of compact basalt! Were there no other object of interest near Matlock, Crich Hill would alone render it worthy of resort.
Source: Gutenberg

Gideon Algernon Mantell The Medals of Creation, Volumes 1 and 2

Their most striking features would be the remains of Man, and the productions of human art—the domes of his temples, the columns of his palaces, the arches of his stupendous bridges of iron and stone, the ruins of his towns and cities, and the durable remains of his earthly tenement imbedded in the rocks and strata—these would be the "Medals of Creation" of the Human Epoch, and transmit to the remotest periods of time a faithful record of the present condition of the surface of the earth, and of its inhabitants.
Source: Gutenberg

Gideon Algernon Mantell The Medals of Creation, Volumes 1 and 2

If we endeavour to trace the order of succession, in which the extinct and existing types of animal and vegetable organization have appeared upon the face of our globe, as demonstrated by fossil remains, we at once perceive how imperfectly our knowledge enables us to present a true picture of the development of organic life as it existed in the remotest ages. Ascending from the Granite—that shroud which conceals for ever from human ken the earliest scenes of the earth’s physical drama—the first glimpses we obtain of animated nature are a few sea-weeds, shells, and Crustacea.
Source: Gutenberg

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