Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

GIOVAN-ANTONIO LAPPOLI, PAINTER OF AREZZO.
[born 1492—died 1552.]
Rarely does it happen that a good old stock fails to throw out some fair branch, which, increasing with time, imparts a new ornament and supplies with its foliage a fresh garment to that desolate trunk, putting forth fruit also in which there are ultimately perceived, by those who taste it, the savours which they had formerly derived from the ancient tree.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

In the year 1525, and when the plague was raging in Rome, Perino del Vaga came from that city to Florence, and he also began to resort to the son of lame Sandro, the Priest, Ser Raffaello. Thereupon a strict intimacy was established, after a time, between Perino and Giovan Antonio Lappoli, by whom the great ability of Perino was instantly perceived, and who, feeling his love of painting re-awakened by the influence of that artist, abandoned all other pleasures, and, once more devoting himself to Art, resolved that when the pestilence had ceased, he would accompany Perino to Rome.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Finally, perceiving that perfection in art is to be attained in no other way than by an early and effectual study of the nude form, with careful endeavours to cultivate ample powers of invention—perceiving these, I say, to be the only means whereby the difficulties of art are overcome, and facility in execution obtained, Giovan-Antonio repented him of the hours which he had spent, not in the studies proper to his art, but in the pursuit of pleasure; discovering as he did, that in old age men cannot effect that which they might very well have performed in their youth.
Source: Wikisource

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