Harold Lamb

Harold Lamb

Summary

Portrait of Harold Lamb Harold Lamb The House of the Falcon (1921)

At that Donovan turned away, so that she could not make out whether he was angered or not.
"Wait," she caught his answering whisper, "until the Sayaks have passed out. The women would see through you."
His face was expressionless as he watched the actions of the priest. Edith saw that the sun's ray had fallen full on the swirling vapor. Color, limitless, impalpable, iridescent, flooded the vapor. A haze of shimmering green and purple and red hung from dome to well. It was as if a veil of supernatural softness and beauty had been dropped from the sky.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The House of the Falcon (1921)

Those who have once entered the paradise of Kashmir do not soon forget the gateway.
Edith laughed with the joy of it, seeing gray clouds twining among the mountain slopes behind them. The edges of the cloud bank were touched with a fiery purple from the concealed sun, when—as if an invisible hand passed across the face of the sky—the sunlight was blotted from their path.
The horses quickened their pace as the Afghan driver cracked his whip and Rawul Singh spoke sharply in Turki:
"Drive, son of a pig! Would you discomfort the guests of your master?"
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The House of the Falcon (1921)

The sunlight had just reached the vapor when the priest ceased his reading and lifted both lean arms. A high chant rose from his lips, and he turned to face what Edith still fancied the white incense. And this man, she felt, was the hadji of whom Donovan had spoken.
"Nuri Muhammed s'all Allah!"
And the multitude responded:
"La il'oha ill Allah!"
As one, the heads bent downward toward the breasts of the worshipers. Long folds of the white turbans were detached and laid over the left shoulder. As if performing a well-learned ritual, certain lines of Sayaks rose, with extended arms.
Source: Wikisource

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