Summary

Portrait of Henry Fielding Henry Fielding The History of Tom Jones, a Foundling… (1749)

To say the truth, if the historian will confine himself to what really happened, and utterly reject any circumstance, which, though never so well attested, he must be well assured is false, he will sometimes fall into the marvellous, but never into the incredible. He will often raise the wonder and surprize of his reader, but never that incredulous hatred mentioned by Horace. It is by falling into fiction, therefore, that we generally offend against this rule, of deserting probability, which the historian seldom, if ever, quits, till he forsakes his character and commences a writer of romance.
Source: Wikisource

Portrait of Henry Fielding Henry Fielding The History of Tom Jones, a Foundling… (1749)

Not that Jones desired to conceal or to disguise the truth; nay, he would have been more unwilling to have suffered any censure to fall on Mr Allworthy for punishing him, than on his own actions for deserving it; but, in reality, so it happened, and so it always will happen; for let a man be never so honest, the account of his own conduct will, in spite of himself, be so very favourable, that his vices will come purified through his lips, and, like foul liquors well strained, will leave all their foulness behind.
Source: Wikisource

Portrait of Henry Fielding Henry Fielding The History of Tom Jones, a Foundling… (1749)

For though the facts themselves may appear, yet so different will be the motives, circumstances, and consequences, when a man tells his own story, and when his enemy tells it, that we scarce can recognise the facts to be one and the same.
Though the barber had drank down this story with greedy ears, he was not yet satisfied. There was a circumstance behind which his curiosity, cold as it was, most eagerly longed for. Jones had mentioned the fact of his amour, and of his being the rival of Blifil, but had cautiously concealed the name of the young lady.
Source: Wikisource

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