Summary

Portrait of Henry Fielding Henry Fielding The History of Tom Jones, a Foundling… (1749)

Partridge, who had been all this time washing his bloody nose at the pump, returned into the kitchen at the instant when his master and the landlord were shaking hands with each other. As he was of a peaceable disposition, he was pleased with those symptoms of reconciliation; and though his face bore some marks of Susan's fist, and many more of her nails, he rather chose to be contented with his fortune in the last battle than to endeavour at bettering it in another.
Source: Wikisource

Portrait of Henry Fielding Henry Fielding The History of Tom Jones, a Foundling… (1749)

Hence we are to derive that universal contempt which the world, who always denominate the whole from the majority, have cast on all historical writers who do not draw their materials from records. And it is the apprehension of this contempt that hath made us so cautiously avoid the term romance, a name with which we might otherwise have been well enough contented. Though, as we have good authority for all our characters, no less indeed than the vast authentic doomsday-book of nature, as is elsewhere hinted, our labours have sufficient title to the name of history.
Source: Wikisource

Portrait of Henry Fielding Henry Fielding The History of Tom Jones, a Foundling… (1749)

The redeemed captive had not altogether so much of the human-angelic species: she seemed to be at least of the middle age, nor had her face much appearance of beauty; but her cloaths being torn from all the upper part of her body, her breasts, which were well formed and extremely white, attracted the eyes of her deliverer, and for a few moments they stood silent, and gazing at each other; till the ruffian on the ground beginning to move, Jones took the garter which had been intended for another purpose, and bound both his hands behind him.
Source: Wikisource

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