Summary

Portrait of Henry Harland Henry Harland Mademoiselle Miss, and Other Stories

Zizi—dead? Zizi and Death!—the notions are too awfully incongruous. I look at the door that separates our rooms,—the door athwart which, in former times, I have heard so many bursts of laughter, snatches of song, when Zizi would be entertaining her——she called them “friends;” and, latterly, that hacking, unyielding cough of hers,—I look at the door, and a sort of cold and blackness seems to creep in from its edges; and then I fancy the darkened chamber beyond it, with the open window, and Zizi’s little form stretched on the bed, stark and dead,—poor little chirping, chattering, ribald Zizi!
Source: Gutenberg

Portrait of Henry Harland Henry Harland Mademoiselle Miss, and Other Stories

The first morning after my arrival I was awakened by queer but unambiguous noises coming through that door, there behind my armoire; a strident laugh, and a few hardy exclamations, that could leave me in no doubt as to the sex and quality of my fellow-lodger. An hour or two later I encountered Zizi on the landing; and the concierge informed me that she was the tenant of the next room to my own. Such a neighbourship would horrify you in London or New York: but we think nothing of accidents much worse than that, here in the Latin Quarter of Paris.
Source: Gutenberg

Portrait of Henry Harland Henry Harland Mademoiselle Miss, and Other Stories

Zizi, the poor little girl in the adjoining room,—behind that door against which my armoire stands,—who for three months past has scarcely left the house, but has coughed, coughed, coughed perpetually: so that every night I have fallen asleep, and every morning wakened, and every day pursued my indoor occupations, to that distressing sound. Oh, our life is not all cakes and ale, here in the Quarter; we have our ennuis, as well as the rest of mankind; and when we are too poor to change our lodgings, we must be content to abide in patience—whatever sounds our neighbours choose to make.
Source: Gutenberg

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