Summary

Portrait of Simeon Strunsky Simeon Strunsky Post-Impressions: An Irresponsible Chronicle

When I saw a Renaissance palace I knew it was a public bath house. When I saw an Assyrian palace I knew there was a cabaret tea inside. When I saw a barracks I knew it was a college laboratory. When I saw a fortress I knew it was an aquarium. The soul of the city spoke out very clearly to me."
He thought for a moment.
"But yes," he said. "When I think of New York and its architecture I am more than ever convinced that there is no such a thing as predestination, that your American architect is emphatically a free agent."
Source: Gutenberg

Portrait of Simeon Strunsky Simeon Strunsky Post-Impressions: An Irresponsible Chronicle

That is Wagner again. Every little while he throws you a kind word, a snatch of golden melody that Verdi himself might have written, and, as a matter of fact, did write all the time. With the master of Bayreuth these little rifts in the clouds are doubly welcome. They shine out like a good deed on a dark night."
"How any one can listen to the last act of Tristan without feeling all the sorrow of the universe, I cannot understand," said Emmeline. "Do you mean to say that the Liebestod does not really carry you out of yourself?"
Source: Gutenberg

Portrait of Simeon Strunsky Simeon Strunsky Post-Impressions: An Irresponsible Chronicle

Let me exaggerate the grinding, crushing, withering speed of modern industry, forgetting the hundreds of thousands who throng the baseball parks and the additional millions who study the score boards on Park Row.
Let me exaggerate the number of children who go breakfastless to school, since nothing less than 25,000 gets into the newspaper headlines; and the wickedness of regularly ordained clergymen who marry people without asking for a physician's certificate; and the peril of helping an old lady up the Subway steps lest she turn out to be a recruiter of white slaves.
Source: Gutenberg

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