Robert Cortes Holliday

Summary

Robert Cortes Holliday Walking-Stick Papers

Walking, it is not so. One may talk or one may not. If both wish to think, both feel as if something sociable is being done in just walking together. If one does not care to go wool-gathering, the other does not leave him without entertainment; walking alone is entertainment. It is assumed, of course, that one goes a journey in silence as in speech with the companion with whom one has been best seasoned. Silently walking, the movement of the mind keeps step in thought exactly with the movement of the man, so that the pace is a thermometer of the temperature at that moment of one's brain.
Source: Gutenberg

Robert Cortes Holliday Walking-Stick Papers

From dawn until darkness falls, hour after hour, along Hudson Street slowly, steadily moves a mighty procession of great trucks. One would not suppose there were so many trucks on the face of the earth. It is a glorious sight, and any man whose soul is not dead should jump with joy to see it. And the thunder of them altogether as they bang over the stones is like the music of the spheres.
There is on Hudson Street a tall handsome building where the fish reporter goes, which should be enjoyed in this way: Up in the lift you go to the top, and then you walk down, smacking your lips.
Source: Gutenberg

Robert Cortes Holliday Walking-Stick Papers

A fashionable woman's hat to-day may be as simple and, in its way, as effective as art as a Whistler symphony; a single splotch of colour, it may be, acting as a foil against a rich mass. Or the hat is a replica, as it were, of the celebrated design of a period in history. But the erudite subject of women's hats should not be touched upon without a salute to that racy model which crowns the far-famed 'Arriet, whose Bank-holiday attire was so delightedly caressed by the pencil of the late Phil May.
Source: Gutenberg

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