Hugo Münsterberg

Hugo Münsterberg

Summary

Portrait of Hugo Münsterberg Hugo Münsterberg The Americans

To be sure, this optimistic feeling of strength, this enthusiastic self-confidence, is hardly able to seize the things which are finest and most subtle. It looks only into the full sunlight, never into the shadows with their less obvious beauties. There are no half-tones, no sentimental and uncertain moods; wonder and meditation come into the soul only with pessimism. And most of all, the enthusiasm of youth not only looks on but wants to work, to change and to make over; and so the American is less an artist than an insistent herald.
Source: Gutenberg

Portrait of Hugo Münsterberg Hugo Münsterberg The Americans

The Italian is not to be disparaged for being unlike the American and for letting his eye rest on pleasing contours without asking what new undertakings could be devised to make reality express his own spirit of initiative. One must also not blame the American if he does not scrutinize his vistas with the eye of a Florentine, if he is not offended by the ugly remains of his nation’s past, the scaffolding of civilization, or if he looks at them with pride, noting how restlessly his countrymen have stuck to their work in order to shape a future from the past.
Source: Gutenberg

Portrait of Hugo Münsterberg Hugo Münsterberg The Americans

We have depicted the brighter side of the American sense of equality, and may now, with a few strokes, put in the shadows. No one has denied that there are unfortunate features, although some assert that they must be accepted or else more important advantages sacrificed. A stranger is at once struck by the tendency to uniformity which arises from the belief in general equality. The spirit of comradeship is unfavourable to individual differentiation, no matter whether it is a question of a man’s hat and necktie or his religion and his theory of the universe.
Source: Gutenberg

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