Ianthe M. Dunbar

Summary

Ianthe M. Dunbar The Edge of the Desert

In summer the heat is terrific, and the air vibrates as above an oven. The small town is surrounded by a sea of sand; the streets are ankle deep in it, and it stretches as far as one can see. It is picturesque, the houses built of earthen bricks set in patterns and with arched and tunnelled passages. ‘Town’ is rather a misleading term; it is just a collection of buildings clustering round a market-place, the roads wandering off vaguely from it into the desert.
The oasis is beautiful, streams of blue-green water everywhere, and a tangle of fruit trees amongst the slender trunks of the palms.
Source: Gutenberg

Ianthe M. Dunbar The Edge of the Desert

A strip of blue sky, hot sunshine, the blue-green of a small dome, men in statuesque drapery outside the carved entrance of a mosque. A glimpse within of kneeling silent figures in white, in dove colour, in grey. And your flagging spirit fires again. Tunis is a beautiful Arab woman in European dress, and as such she frequently puts one’s teeth on edge. But push into the country and you will find the native life untouched, the peasant people leading the same lives as generations before them led, no hint of the uneasy modernism that spoils the capital.
Source: Gutenberg

Ianthe M. Dunbar The Edge of the Desert

Bedouin women strode past, good-looking and haughty, their head-covering thrown back showing their tattooed faces, their necks covered with coins; whilst the blue of their robes made a pleasant note of colour. Their men were tall and sinewy with hawk features, and they wore their sand-coloured burnous like dispossessed princes. Here and there one saw the vivid green cloak or turban of some holy man who had done the journey to Mecca, or there was a splash of madder or burnt orange; but for the most part the crowd was neutral-tinted.
Source: Gutenberg

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