Summary

Il Novellino: The hundred old tales (1925)

One day about the end of the thirteenth century or the beginning of the fourteenth, when the Middle Ages still darkly curtained the Renaissance from view, a “man of the Court”, or minstrel, of some Italian lord had one of those inventive flashes which go to the making of literatures. This “man of the Court” who was perhaps a minstrel or giullare in little more than name—for his talent would be especially literary—knew by heart the little archaic tales which make up the slender corpus of the Cento Novelle Antiche, or Novellino.
Source: Gutenberg

Il Novellino: The hundred old tales (1925)

Neither with tears nor with lamentations can you bring back to life a dead body. Therefore what folly is this in which you are indulging? Do as I say: take me to husband, for I have no wife, and save my life, for I am in danger. And I do not know where to hide, for at my lord’s bidding I was guarding a knight who had been hanged by the neck, and some men of his kindred carried him off. Show me how I may escape, if you can, and I will be your husband and maintain you honourably.
Source: Gutenberg

Il Novellino: The hundred old tales (1925)

Then as they were strolling about, to rest after eating, Saladin was questioned by another knight, who said: tell me, Saladin, if I wished to tell a story of mine, to whom must I tell it as being the wisest amongst us? Saladin answered: Messer, tell it to whoever appears to you to be the most foolish.
The knights questioned this answer, and begged him to expatiate upon it.
Saladin replied: to fools every fool appears wise because of his resemblance.
Therefore whoever appears most foolish to a fool, will be the wisest, because wisdom is the contrary of folly.
Source: Gutenberg

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