J. Meade Falkner

J. Meade Falkner

Summary

Portrait of J. Meade Falkner J. Meade Falkner,  The Lost Stradivarius (1895)

“ John reached his rooms shortly before eleven o'clock. He was at once sad and happy—sad at our departure, but happy in a new-found world of delight which his admiration for Constance Temple opened to him. He was, in fact, deeply in love with her, and the full flood of a hitherto unknown passion filled him with an emotion so overwhelming that his ordinary life seemed transfigured. He moved, as it were, in an ether superior to our mortal atmosphere, and a new region of high resolves and noble possibilities spread itself before his eyes. ”
Source: Wikisource

Portrait of J. Meade Falkner J. Meade Falkner,  The Lost Stradivarius (1895)

“ But for the tones of the violin, all was silent, and the creaking of the chair was strangely distinct. The illusion was so complete that my brother stopped playing suddenly, and turned round expecting that some late friend of his had slipped in unawares, being attracted by the sound of the violin, or that Mr. Gaskell himself had returned. With the cessation of the music an absolute stillness fell upon all; the light of the single candle scarcely reached the darker corners of the room, but fell directly on the wicker chair and showed it to be perfectly empty. ”
Source: Wikisource

Portrait of J. Meade Falkner J. Meade Falkner,  The Lost Stradivarius (1895)

“ He never for a moment ceased playing. It was always one same dreadful melody, the Gagliarda of the "Areopagita," and he repeated it time after time with the perseverance and apparent aimlessness of an automaton.
He did not see us, and we made no sign, standing afar off in silent horror at that nocturnal sight. Constance clutched me by the arm: she was so pale that I perceived it even in the moonlight. "Sophy," she said, "he is sitting in the same place as on the first night when he told me how he loved me."
”
Source: Wikisource

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