“ SALLIE McBRIDE. THE JOHN GRIER HOME, Sunday. Dear Gordon: I know that I haven't written lately; you have a perfect right to grumble, but oh dear! oh dear! you can't imagine what a busy person an orphan asylum superintendent is. And all the writing energy I possess has to be expended upon that voracious Judy Abbott Pendleton. If three days go by without a letter she telegraphs to know if the asylum has burned; whereas, if you—nice man—go letterless, you simply send us a present to remind us of your existence. So, you see, it's distinctly to our advantage to slight you often. ”
Jean Webster
Summary
"Dear Enemy," a 1915 epistolary novel by Jean Webster, is the sequel to her acclaimed "Daddy-Long-Legs," chronicling Sallie McBride’s evolution from a lighthearted socialite to a committed orphanage superintendent. Written as a series of letters to friends, lovers, and colleagues—including her contentious relationship with the embittered Dr. MacRae—the novel examines themes of women’s roles, institutional change, and the difficulties of caring for orphans.
Set in rural New York, it critiques societal views on women’s work and marriage while emphasizing Sallie’s development through her dedication to the John Grier Home. Webster’s sharp prose and social critique highlight the conflict between personal satisfaction and societal norms, portraying Sallie’s journey as both a personal and forward-thinking achievement.
Quotes from Dear Enemy (Jean Webster)
“ Just as soon as I can find a nice comfortable house mother to put in charge, I am going to plot for the dismissal of Maggie McGurk, though I foresee that she will be even harder than Sterry to pry from her moorings. Please don't draw the conclusion that I am becoming unduly interested in our bad-tempered doctor, for I'm not. It's just that he leads such a comfortless life that I sometimes long to pat him on the head and tell him to cheer up; the world's full of sunshine, and some of it's for him—just as I long to comfort my hundred and seven orphans ”
“ Lippett stole it away from you. Was I perhaps stealing little Allegra's home from her? With the two boys it would be different; they could be educated and turned out to shift for themselves. But to a girl a home like this would mean everything. Ever since baby Allegra came to us, she has seemed to me just such another child as baby Judy must have been. She has ability and spirit. We must somehow furnish her with opportunity. She, too, deserves her share of the world's beauty and good—as much as nature has fitted her to appreciate. And could any asylum ever give her that? ”
