Summary

Portrait of Joel Chandler Harris Joel Chandler Harris Nights With Uncle Remus: Myths and Legends of the Old Plantation

The student of folk-lore who will take into consideration the widely differing peculiarities and characteristics of the negroes and the Indians, will have no difficulty, after making due allowance for the apparent universality of all primitive folk-stories, in distinguishing between the myths or legends of the two races, though it sometimes happens, as in the case of the negro story of the Rabbit, the Wildcat, and the Turkeys, that the stories are built upon until they are made to fit the peculiarities of the race that borrows them.
Source: Gutenberg

Portrait of Joel Chandler Harris Joel Chandler Harris Nights With Uncle Remus: Myths and Legends of the Old Plantation

The fine company of men and women at the big house—men and women who had made the tour of all the capitals of Europe—listened with swelling hearts and with tears in their eyes as the song rose and fell upon the air—at one moment a tempest of melody, at another a heart-breaking strain breathed softly and sweetly to the gentle winds.
Source: Gutenberg

Portrait of Joel Chandler Harris Joel Chandler Harris Nights With Uncle Remus: Myths and Legends of the Old Plantation

If, as some ethnologists claim, the animal myths are relics of zoötheism, there can scarcely be a doubt that the practice here described by Uncle Remus is the survival of some sort of obeisance or genuflexion by which the negroes recognized the presence of the Rabbit, the great central figure and wonder-worker of African mythology.
Source: Gutenberg

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