John Keats

“ As a real woman, lineal indeed
From Pyrrha's pebbles or old Adam's seed.
Thus gentle Lamia judged, and judged aright,
That Lycius could not love in half a fright,
So threw the goddess off, and won his heart
More pleasantly by playing woman's part,
With no more awe than what her beauty gave,
That, while it smote, still guaranteed to save.
Lycius to all made eloquent reply,340
Marrying to every word a twin-born sigh:
And last, pointing to Corinth, ask'd her sweet,
If 't was too far that night for her soft feet. ”

“ Or was I a worm—too low crawling, for death?
O Delphic Apollo!
The Thunderer grasp'd and grasp'd,
The Thunderer frown'd and frown'd;
The eagle's feathery mane
For wrath became stiffen'd—the sound
Of breeding thunder
Went drowsily under,
Muttering to be unbound.
O why didst thou pity, and for a worm
Why touch thy soft lute
Till the thunder was mute,
Why was not I crush'd—such a pitiful germ?
O Delphic Apollo!
The Pleiades were up,
Watching the silent air;
The seeds and roots in the Earth
Were swelling for summer fare ”

“ Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,19
For ever wilt thou love, and she be fair! ”

“ Of the Wood-Gods, and even the very trees.
There as he stood, he heard a mournful voice,
Such as once heard, in gentle heart, destroys
All pain but pity: thus the lone voice spake:
'When from this wreathed tomb shall I awake!
When move in a sweet body fit for life,
And love, and pleasure, and the ruddy strife40
Of hearts and lips! Ah, miserable me!'
The God, dove-footed, glided silently
Round bush and tree, soft-brushing, in his speed,
The taller grasses and full-flowering weed,
Until he found a palpitating snake,
Bright, and cirque-couchant in a dusky brake. ”

“ The Dwarf began to tremble, and the Ape
Star'd at the Fool, the Fool was all agape,
The Princess grasp'd her switch, but just in time
The dwarf with piteous face began to rhyme.
'O mighty Princess, did you ne'er hear tell
What your poor servants know but too too well?
Know you the three great crimes in Faeryland?
The first, alas! poor Dwarf, I understand,
I made a whipstock of a faery's wand;
The next is snoring in their company;
The next, the last, the direst of the three,
Is making free when they are not at home. ”

“ Though swimming through the dance's dangerous wreath;
Be like an April day,
Smiling and cold and gay,
A temperate lily, temperate as fair;
Then, Heaven! there will be
A warmer June for me.
Why, this—you 'll say, my Fanny! is not true:
Put your soft hand upon your snowy side,
Where the heart beats: confess—'t is nothing new—
Must not a woman be
A feather on the sea,
Sway'd to and fro by every wind and tide? ”

“ Perhaps to see shapes of light, aerial limning;
And catch soft floatings from a faint-heard hymning;
To see the laurel wreath, on high suspended,
That is to crown our name when life is ended.
Sometimes it gives a glory to the voice,
And from the heart up-springs, rejoice! rejoice!
Sounds which will reach the Framer of all things,
And die away in ardent mutterings.40
No one who once the glorious sun has seen,
And all the clouds, and felt his bosom clean
For his great Maker's presence, but must know
What 't is I mean, and feel his being glow ”

“ The Town, the churchyard, and the setting sun,
The Clouds, the trees, the rounded hills all seem,
Though beautiful, cold—strange—as in a dream,
I dreamed long ago, now new begun.
The short-lived, paly Summer is but won
From Winter's ague, for one hour's gleam;
Though sapphire-warm, their Stars do never beam:
All is cold Beauty; pain is never done:
For who has mind to relish, Minos-wise,
The Real of Beauty, free from that dead hue
Sickly imagination and sick pride
Cast wan upon it! Burns! ”

“ Those looks immortal, those complainings dear!
Oh leave me not in this eternal woe,
For if thou diest, my Love, I know not where to go.'
XXXVI
Beyond a mortal man impassion'd far
At these voluptuous accents, he arose,
Ethereal, flush'd, and like a throbbing star
Seen mid the sapphire heaven's deep repose;
Into her dream he melted, as the rose
Blendeth its odour with the violet,—
Solution sweet: meantime the frost-wind blows
Like Love's alarum pattering the sharp sleet
Against the window-panes; St. Agnes' moon hath set. ”

“ Keats did not read Greek, and he had no scholar's knowledge of Greek art, but he had the poetic divination which scholars sometimes fail to possess, and when he strolled into the British Museum and saw the Elgin marbles, the greatest remains in continuous series of perhaps the greatest of Greek sculptures, he saw them as an artist of kindred spirit with their makers. He saw them also with the complex emotion of a modern, and read into them his own thoughts. The result is most surely read in his longer poem of Hyperion, but the spirit evoked found its finest expression in this ode. ”

“ Said Lamia, 'here, upon this floor of clay,
And pain my steps upon these flowers too rough,
What canst thou say or do of charm enough
To dull the nice remembrance of my home?
Thou canst not ask me with thee here to roam
Over these hills and vales, where no joy is,—
Empty of immortality and bliss!
Thou art a scholar, Lycius, and must know
That finer spirits cannot breathe below280
In human climes, and live: Alas! poor youth,
What taste of purer air hast thou to soothe
My essence? ”

“ When they were come into the Faery's Court
They rang—no one at home—all gone to sport
And dance and kiss and love as faeries do
For Faries be as humans lovers true.
Amid the woods they were so lone and wild,
Where even the Robin feels himself exil'd,
And where the very brooks, as if afraid,
Hurry along to some less magic shade.
'No one at home!' the fretful Princess cry'd;
'And all for nothing such a dreary ride,
And all for nothing my new diamond cross;
No one to see my Persian feathers toss,
No one to see my Ape, my Dwarf, my Fool,
Or how I pace my Otaheitan mule. ”

“ Dance, and Provençal song, and sun-burnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:20
III
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies ”

“ What swell'd with pathos, and what right divine:
Spenserian vowels that elope with ease,
And float along like birds o'er summer seas:
Miltonian storms, and more, Miltonian tenderness:
Michael in arms, and more, meek Eve's fair slenderness.
Who read for me the sonnet swelling loudly60
Up to its climax, and then dying proudly?
Who found for me the grandeur of the ode,
Growing, like Atlas, stronger from its load? ”

“ The way was short, for Lamia's eagerness
Made, by a spell, the triple league decrease
To a few paces; not at all surmised
By blinded Lycius, so in her comprised:
They pass'd the city gates, he knew not how,
So noiseless, and he never thought to know.
As men talk in a dream, so Corinth all,350
Throughout her palaces imperial,
And all her populous streets and temples lewd,
Mutter'd, like tempest in the distance brew'd,
To the wide-spreaded night above her towers.
Men, women, rich and poor, in the cool hours,
Shuffled their sandals o'er the pavement white,
Companion'd or alone ”

“ Beheld thee, pluck'd thee, cast thee in the stream82
To meet her glorious brother's greeting beam.
I marvel much that thou hast never told
How, from a flower, into a fish of gold
Apollo chang'd thee: how thou next didst seem
A black-ey'd swan upon the widening stream;
And when thou first didst in that mirror trace
The placid features of a human face:
That thou hast never told thy travels strange,90
And all the wonders of the mazy range
O'er pebbly crystal, and o'er golden sands ”

“ I had a dove and the sweet dove died;
And I have thought it died of grieving:
O, what could it grieve for? Its feet were tied,
With a silken thread of my own hand's weaving;
Sweet little red feet! why should you die—
Why should you leave me, sweet bird! why?
You lived alone in the forest-tree,
Why, pretty thing! would you not live with me?
I kiss'd you oft and gave you white peas;
Why not live sweetly, as in the green trees? ”

“ More full of visions than a high romance?
What, but thee, Sleep? Soft closer of our eyes!11
Low murmurer of tender lullabies!
Light hoverer around our happy pillows!
Wreather of poppy buds, and weeping willows!
Silent entangler of a beauty's tresses!
Most happy listener! when the morning blesses
Thee for enlivening all the cheerful eyes
That glance so brightly at the new sunrise.
But what is higher beyond thought than thee?
Fresher than berries of a mountain-tree?
More strange, more beautiful, more smooth, more regal,21
Than wings of swans, than doves, than dim-seen eagle? ”

“ It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air he sees white coursers paw and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel;
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,30
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear. ”

“ Where mantles gray have rustled by and swept the nettles green;
There is a Joy in every spot made known by times of old,
New to the feet, although each tale a hundred times be told;
There is a deeper Joy than all, more solemn in the heart,
More parching to the tongue than all, of more divine a smart,
When weary steps forget themselves upon a pleasant turf,
Upon hot sand, or flinty road, or sea-shore iron scurf,
Toward the Castle or the Cot, where long ago was born
One who was great through mortal days, and died of fame unshorn. ”

“ And watch intently Nature's gentle doings:
They will be found softer than ring-dove's cooings.
How silent comes the water round that bend;
Not the minutest whisper does it send
To the o'erhanging sallows: blades of grass
Slowly across the chequer'd shadows pass.
Why, you might read two sonnets, ere they reach
To where the hurrying freshnesses aye preach70
A natural sermon o'er their pebbly beds;
Where swarms of minnows show their little heads,
Staying their wavy bodies 'gainst the streams,
To taste the luxury of sunny beams
Temper'd with coolness. ”

“ Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
III
She dwells with Beauty—Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Aye, in the very temple of Delight
Veil'd Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung. ”

“ Lorenzo, if thy lips breathe not love's tune.'—
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;
V
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
'How ill she is!' said he, 'I may not speak,
And yet I will, and tell my love all plain:
If looks speak love-laws, I will drink her tears,
And at the least 't will startle off her cares.'
VI
So said he one fair morning, and all day
His heart beat awfully against his side ”

“ But when the happy vintage touch'd their brains,
Louder they talk, and louder come the strains
Of powerful instruments:—the gorgeous dyes,
The space, the splendour of the draperies,
The roof of awful richness, nectarous cheer,
Beautiful slaves, and Lamia's self, appear,
Now, when the wine has done its rosy deed,
And every soul from human trammels freed,210
No more so strange; for merry wine, sweet wine,
Will make Elysian shades not too fair, too divine. ”