Summary

John Salkeld Bland The Vale of Lyvennet: Its Picturesque Peeps and Legendary Lore

From the older religions we have the Barghast, the ghost of the tomb, whose unearthly lamentations warn mortals of fell mishaps, the Taisteral, a mischievous spirit of evil; the dobbies, brownies and fairies. In these mysterious spirits of the night do we trace the imaginings of a people long gone, whose works are almost lost; yet tradition has never failed to hand them down and down from father to son, yet each time ebbing weaker and weaker, till now the advance of the nineteenth century has marked the bounds "Thus far shall they go and no further"
Source: Gutenberg

John Salkeld Bland The Vale of Lyvennet: Its Picturesque Peeps and Legendary Lore

Of archæologic interest there are a few mounds located in different parts on the high elevations; but the observing eye cannot but note that it has been more a place of refuge and safety in life to the ancient inhabitants than a resting place after death; and in such localities would we expect to find the fastnesses of the Celtic races to which they would fly when the Roman armies made their appearance through the gorge at Borough Bridge, and also the people of after ages seeking safety from the marauding Scots or Danes up to the last Border foray.
Source: Gutenberg

John Salkeld Bland The Vale of Lyvennet: Its Picturesque Peeps and Legendary Lore

On the left of the entrance is a terrace with a statue of Music, holding a lute, emblematic of the Lyvennet; there are also statues of Addison, Burns, and Hugh Miller the geologist; for Thomas Bland, like his nephew, was interested in geology. This terrace stretches away to the left; against it, and facing the lower lawns beyond was a building for the musicians. The whole garden was lavishly decorated with paintings and sculptures; the last of the former were removed from the walls about three years ago. It seems almost incredible that one man should have accomplished so much work
Source: Gutenberg

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