“ Lying gaunt and hollow-eyed on his bed, the cap and bells on an oak chest near, he called his son to him, pointed with one wasted hand towards the motley dress.“To-morrow, or the next day, you will be wearing it,” he said.Peregrine bowed his head. Finding it ill to lie, even for comfort’s sake, in the face of Death, he was silent.“A jest more often than not holds truth,” said Nichol, “yet now, between you and me, the truth may be spoken without need of jest.” His eyes, blue like Peregrine’s, sought his son’s eyes, but Peregrine’s were lowered. ”
LM
Summary
LM’s The Jester is a novel that weaves together themes of destiny, selfhood, and spiritual exploration, tracing Peregrine’s struggle as a man fated to assume his family’s role as a jester—a path he resists internally, even as he appears to comply outwardly.
Set against rich natural landscapes—forests, snow, and fragrant gardens—the story delves into his emotional and philosophical challenges, guided by figures such as Menippus and Brigid, while he wrestles with the conflict between societal roles and personal truth. The work’s poetic language and symbolic elements, including the motley costume and the search for an elusive woman, highlight its reflection on the weight and contradictions of human meaning.
Quotes from The Jester (LM)
“ Peregrine raised his eyes.“You like not the thought. That I have long known. Yet, what will you? Fate made of me a Jester, as she made a Jester of my father and his sires before me, as she now makes one of you. I accepted my rôle as in the nature of things. With you it is otherwise. Submitting outwardly to the decree of fate, inwardly your spirit rebels. It will be hard for you. The rôle of Jester is no easy one. Dogs are we, waiting with a dog’s wistfulness on the smile of our master’s lips, the pat of our master’s hand. ”
“ Peregrine sat in the castle garden at the foot of the white sundial which stood at the edge of the velvet grass sward. Around him were flower-beds brilliant with colour. Here were masses of small purple campanula covering the stone border between flower-bed and flagged path; clumps of anemones many-hued, named for St. Brigid; narcissi golden-eyed trembling in the soft air; forget-me-nots blue as the sky or Our Lady’s robe; scillas deeper dyed; tulips chalice-shaped, gold, crimson, and white,—a very riot of colour, gay as the sweet mad call of spring. ”
