Summary

Portrait of Leslie Stephen Leslie Stephen Dictionary of National Biography… (1885)

No poet has been more loved because none has expressed more forcibly and truly the deepest moral emotions. Some critics have laboured to show that his poetry was not a philosophy such as Coleridge fondly expected to find in the ‘Excursion.’ Wordsworth was to begin by exposing the ‘sandy sophisms of Locke,’ and to show the reconciliation of true idealism and true realism (Coleridge, Letters, ii. 643) . Wordsworth, in fact, was only puzzled by metaphysical arguments, and could not, if any one could, transmute them into poetry.
Source: Wikisource

Portrait of Leslie Stephen Leslie Stephen Dictionary of National Biography… (1885)

Coleridge also described Wordsworth's ‘exquisite sister’ in glowing language (Cottle, Reminiscences, p. 144) . He speaks of her exquisite taste and close observation of nature. Her diary (partly printed in Knight, Journals of Dorothy Wordsworth, 1897) amply confirms the judgment and shows the close intimacy of the trio. ‘We are three people,’ said Coleridge, ‘but only one soul.’ As Coleridge was already married, they could not be lovers; but they were the warmest of friends, and for the time Dorothy's influence upon Coleridge was almost as strong as her influence upon her brother.
Source: Wikisource

Portrait of Leslie Stephen Leslie Stephen Dictionary of National Biography… (1885)

The growth of pauperism and the factory system, and the decay of old simple society, intensified the impression; and some of his noblest poems are devoted to celebrating the virtues which he took to be endangered. Wordsworth's love of ‘nature’ is partly an expression of the same feeling. He loved the mountains because they were the barriers which protected the peasant.
Source: Wikisource

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