William Hazlitt

Summary

William Hazlitt My First Acquaintance with Poets (1823)

We walked for miles and miles on dark brown heaths overlooking the Channel, with the Welsh hills beyond, and at times descended into little sheltered valleys close by the sea-side, with a smuggler's face scowling by us, and then had to ascend conical hills with a path winding up through a coppice to a barren top, like a monk's shaven crown, from one of which I pointed out to Coleridge's notice the bare masts of a vessel on the very edge of the horizon, and within the red-orbed disk of the setting sun, like his own spectre-ship in the Ancient Mariner.
Source: Wikisource

William Hazlitt My First Acquaintance with Poets (1823)

As we advance, we exhaust our fund of enjoyment and of hope. We are no longer wrapped in lamb's-wool lulled in Elysium. As we taste the pleasures of life, their spirit evaporates, the sense palls; and nothing is left but the phantoms, the lifeless shadows of what has been!
That morning, as soon as breakfast was over, we strolled out into the park, and seating ourselves on the trunk of an old ash-tree that stretched along the ground, Coleridge read aloud with a sonorous and musical voice, the ballad of Betty Foy.
Source: Wikisource

William Hazlitt My First Acquaintance with Poets (1823)

He considered Bishop Butler as a true philosopher, a profound and conscientious thinker, a genuine reader of nature and his own mind. He did not speak of his Analogy, but of his Sermons at the Rolls' Chapel, of which I had never heard. Coleridge somehow always contrived to prefer the unknown to the known. In this instance he was right. The Analogy is a tissue of sophistry, of wire-drawn, theological special-pleading; the Sermons (with the preface to them) are in a fine vein of deep, matured reflection, a candid appeal to our observation of human nature, without pedantry and without bias.
Source: Wikisource

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