Letitia Elizabeth Landon

Letitia Elizabeth Landon

Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Landon in Fisher's Drawing Room Scrap Book 1840 (1839)

INTERIOR OF A MOORISH PALACE.
The palace, built by Hamooda Pasha, is a magnificent specimen of Moorish architecture.
Hamooda holds a feast to-night—
Fill ye the lamps with fragrant light;
Burn, in the twilight's dewy time,
The mastic, rosemary, and thyme;
And scatter round the festal chamber
Oils from the rose, the musk, the amber.
And bind ye wreaths to hang the room,
The red pomegranate just in bloom,
The tulip, with the purple glow,
That hides the burning heart below
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Landon in Fisher's Drawing Room Scrap Book 1840 (1839)

It might be imagined that this morbid indulgence of so strong an appetite for grief, was but the first dipping of the playful foot in the sunny shallows of that flood of mortal experience, through which all have to pass, and but the dallying, yet desperate pleasure afforded by the mingled chill and glittering eddies of the waters which might hereafter swallow up the passer through, and that the first real pang of actual pain would scare her youthful fancy into the bosom of those hopes and fascinations with which the young mind is commonly only too much delighted to surround itself.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Landon in Fisher's Drawing Room Scrap Book 1840 (1839)

The gayer influences of life have banished.
'Tis sad, and fixed—yet we can fancy gleams
Of feverish spirits, suddenly awaking.
Flinging aside doubts, fancies, fears, and dreams,
Like some red fire on startled midnight breaking.
'Tis an uncertain thing—a mind so framed,
Glorious the birthright which its powers inherit,
Mingling the loved—the feared—the praised—the blamed-
The constant struggle of the clay and spirit.
Source: Wikisource

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