Letitia Elizabeth Landon

Letitia Elizabeth Landon

Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Memoir of B. D'Israeli, Esq. (1837)

What is love but the childhood of the heart? "Heaven lies around us in our infancy," and the intellect and the affections can alone bring that time back again. It is an error—and worse, a grave fault—among the many writers, to associate love with the darker passions. "From heaven it came, to heaven returneth;" and only where it purifies and elevates, is the spiritual and enduring presence of love truly recognised.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Memoir of B. D'Israeli, Esq. (1837)

Now the chief characteristic of "Vivian Grey" was insight into motive; it was only the work of a boy in its freshness—a freshness that gave its own excitement to the narrative. The sarcasm was not merely amusing, it was reflective,—the mockery had a purpose, and purpose is that in which the young writer is generally most deficient. Years hence that work will be a literary curiosity—it will be an interesting subject to investigate by what process a mere boy could look so closely into the springs of action, and paint so true a picture of the shifting sands of society.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Memoir of B. D'Israeli, Esq. (1837)

D'Israeli's last work was "Henrietta Temple,"—one of the most agreeable love-stories ever written. There is nothing which people seem to know so little about as love, and yet it influences all. It matters not what may be the character on which it acts—for that character is utterly changed. Few have ventured to paint love with sufficient simplicity, and in hazarding that truth consists the great charm of "Henrietta Temple." The exquisite personification of the ancients is true. Love is a child.
Source: Wikisource

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