Pageantry

Definition and stakes

Portrait of Walter Besant Walter Besant,  Westminster

“ Let us remember that in our time we cannot make any show, or festival, or pageant—we have lost the art of pageantry—which can compare with the shows which our forefathers saw daily: the shows of magnificent trains, queens and princesses in such raiment as the greatest lady of these times would be afraid to put on, lords and knights and gentlemen of the livery, streets with their gabled houses hung with crimson and scarlet cloth; minstrels and music everywhere; mysteries and pageants and allegories, with fair maidens and giants, angels and devils ”
Source: Gutenberg

Susan Swain Madders,  Rambles in an Old City

“ Pageantry has been numbered among the chartered rights of the citizens, from the days of “mysteries,” when the itinerant stage, with its sacred drama provided by the church, was the only theatre known, through the age of tournaments, the season of royal visits, Elizabethan processions, and triumphal arches, of guilds, of Georges and dragons, down to the last relic of the spirit of olden times—the chairing of its members; and not even the scant nourishment offered in this nineteenth century, has yet sufficed to starve and wither the seeds thus sown and fostered in the very nature of the people. ”
Source: Gutenberg

Henry B. Wheatley,  The Story of London

“ These were erected at the expense of the livery companies and the foreign merchants. During the eighteenth and nineteenth centuries the art of pageantry was almost entirely lost. The decoration of our streets on joyful occasions has lately considerably improved, but there is still room for a more artistic{153} treatment. With our knowledge of the past and the possession of artists who are enthusiastic for the revival of a true taste in pageantry there ought to be no difficulty in the production of pageants that would do honour to our city. ”
Source: Gutenberg

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