Summary

Portrait of Léon Gozlan Léon Gozlan The man among the monkeys; or, Ninety days in apeland (1873)

Dummkopf made straight for a little island—the terror of navigators and the salvation of swimmers. He had almost reached his place of refuge—with the crocodile so close on his heels that he could feel its warm breath on the soles of his feet—when he remembered that the monster was amphibious. Another man would have been paralysed by this reflection. Not so Dummkopf. He looked before him, and seeing a friendly palm-tree within reach—it was the solitary ornament of the little islet—he ran to it, took a spring, and climbed up its branches with the agility of a squirrel.
Source: Gutenberg

Portrait of Léon Gozlan Léon Gozlan The man among the monkeys; or, Ninety days in apeland (1873)

At last Jacko could stand it no longer, so looking to the right and left, and finally fixing his eyes on the guests opposite, he quietly lifted up his hand behind his master’s back, and gave his tail such a tug as made the powder fly, withdrew his hand in an instant, and sat with a vacant expression of the greatest innocence. People don’t like to have their tails pulled. His master gave him a look, and Jacko gave him another, but even the eloquent expression of Hogarth’s monkey on the offending bear’s back fell short of it.
Source: Gutenberg

Portrait of Léon Gozlan Léon Gozlan The man among the monkeys; or, Ninety days in apeland (1873)

It was an obstinate struggle; not a single combatant, man or monkey, made the slightest attempt to withdraw from the scene of action. It seemed as though long-cherished hate had suddenly burst forth on both sides, to end in mutual destruction. But it was not long before the matter was decided. Before the expiration of a quarter of an hour, five monkeys lay dead upon the ground, with their skulls shattered by bullets or blows from cudgels; about as many were running round on the down-trodden grass, with their backs flayed or their limbs broken.
Source: Gutenberg

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