Manuel Gálvez

Manuel Gálvez

Summary

Portrait of Manuel Gálvez Manuel Gálvez Nacha Regules

Nacha knew how little the physical aspect of love meant. She could not offer her lover something of as little price as her body. To Monsalvat she would give her heart and soul and whatever good there was in her; her tenderness, as immeasurable as space, and her suffering, as deep as the sea. Nor did he desire her. Nacha was no longer a mere woman to him; she had become a symbol, tremendously significant, of all women who pay the penalty she was paying, of those victims rejected by society—daughters of the mire and of human misery; and she was his sister as well.
Source: Gutenberg

Portrait of Manuel Gálvez Manuel Gálvez Nacha Regules

I want to redeem the past—I want to deserve forgiveness...."
"Who is there to forgive you, Nacha?" he exclaimed, drawing her toward him.
"I don't know—God, perhaps, if he exists. Life, against which I have sinned—Love, that I have wronged—myself—myself especially: I need to earn forgiveness from myself!"
And slowly, wonderingly, but inevitably, Monsalvat found her lips. She was answered!
"Your life is mine, Fernando," she said gently, and Monsalvat knew from her voice that she was smiling. "Your suffering is my suffering, your joy my joy! Only death can part us."
Source: Gutenberg

Portrait of Manuel Gálvez Manuel Gálvez Nacha Regules

Nacha raised her hands to her face. In his own trouble, and in the compassion Nacha aroused in him, Monsalvat began to feel a kind of satisfaction. If she could still feel so deeply, there was hope.
"No, no!" she broke out suddenly. "We haven't the right to suffer!"
"Human beings have no greater and more sacred right."
"But don't you see that we girls must always be gay, dance, laugh: our profession is joy, not suffering. If we're glum, we lose our jobs. If we are not ready for gaiety and caresses, we're accused of not earning our pay."
Source: Gutenberg

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