Marie Conway Oemler

Summary

Marie Conway Oemler The Purple Heights

It seemed to him that he wasn't Peter Champneys the artist any more, the lover of beauty, the man who was to rebuild the house of his forebears, and for whom a great fortune was waiting over there in America. He was just a soul in torment, living his bit of hell, hating it with a cold impatience, an incurable anger. One thing only kept him from losing all hope for mankind: at times he had piercing, blinding glimpses of the soul of plain men laid bare. With torment, a humanity larger even than his art was born in him.
Source: Gutenberg

Marie Conway Oemler The Purple Heights

And so Anne, who didn't wish to be Mrs. Peter Champneys, or the woman whom Berkeley Hayden was to marry, or anybody but herself, came to the out-of-the-way nook on the Maine shore, and was welcomed by the Widow Thatcher.
She found the place idyllic. She liked its skies unclouded by smoke, translucent skies in which silver mountains of clouds reared themselves out of airy continents that shifted and drifted before the wind. She liked its clean, pure, untainted air. And she liked contact with these simple souls, men who labored, women who knew birth and death and were not afraid of either.
Source: Gutenberg

Marie Conway Oemler The Purple Heights

In six months he knew the Quartier to the core. He met men who were utter blackguards, whose selfish, cold-blooded brutality filled him with loathing; he met women with the soul of the cat. But the Quartier as a whole was sound-hearted; Peter himself was too sound-hearted not to know. He met Youth at work, his own kind of work. They were all going to do something great presently,—and presently many of them did. The very air he breathed stimulated him. Here were comrades, to whom, as to himself, art was the one supremely important thing in the universe.
Source: Gutenberg

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