Summary

Portrait of Marion Harland Marion Harland Marion Harland's Autobiography…

Tears were fashionable, and came easily in those early times, and weeping in church was such a godly exercise that conversation or exhortation upon what was, in technical phrase, “the subject of religion,” brought tears as naturally as the wringing of a moist sponge, water.
“What did you cry for?” demanded I, scornfully, of Anne Carus, when I got her away from the porch party. “You hate him as much as I do!”
“Oh—I don’t—know!” dubiously. “People always cry when anybody makes a farewell speech.”
So the Reverend-that-was-to-be Tayloe took his shadow from our door and his beak from out my heart.
Source: Gutenberg

Portrait of Marion Harland Marion Harland Marion Harland's Autobiography…

We always thought of the graveyard as an asylum in the event of a rising. No negro would venture to enter it by day or night.
In any ordinary period of danger or distress, I would have trusted my life in the hands of the men and women who had been born on the same plantation with my mother, and the younger generation, to whom she had been a faithful and benignant friend from their cradles. In fire and flood and tempest; in good report and evil report; in sickness and in health; in poverty, as in riches—they would have stood with, and for us to the death.
Source: Gutenberg

Portrait of Marion Harland Marion Harland Marion Harland's Autobiography…

College and University boys were at home, and city people were flocking to the country. There were walks, drives, “dining-days,” early and late horseback parties, setting out from one hospitable house before sunrise, and breakfasting at another ten or twelve miles away; or, better yet, leaving home at sunset, and pacing, cantering, and galloping (women never rode trotting horses) along highroad and plantation lane to a house, buried in ancestral woods, in the very heart of the county, for supper, returning by the light of the harvest moon, as fresh as when we set forth.
Source: Gutenberg

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