Summary

Portrait of Mark Twain Mark Twain The Gilded Age: A Tale of Today

Mere life is a luxury, and the color of the grass, of the flowers, of the sky, the wind in the trees, the outlines of the horizon, the forms of clouds, all give a pleasure as exquisite as the sweetest music to the ear famishing for it. The world was all new and fresh to Ruth, as if it had just been created for her, and love filled it, till her heart was overflowing with happiness.
It was golden September also at Fallkill. And Alice sat by the open window in her room at home, looking out upon the meadows where the laborers were cutting the second crop of clover.
Source: Gutenberg

Portrait of Mark Twain Mark Twain The Gilded Age: A Tale of Today

And a few critical years can decide whether her life is to be full of sweetness and light, whether she is to be the vestal of a holy temple, or whether she will be the fallen priestess of a desecrated shrine. There are women, it is true, who seem to be capable neither of rising much nor of falling much, and whom a conventional life saves from any special development of character.
But Laura was not one of them. She had the fatal gift of beauty, and that more fatal gift which does not always accompany mere beauty, the power of fascination, a power that may, indeed, exist without beauty.
Source: Gutenberg

Portrait of Mark Twain Mark Twain The Gilded Age: A Tale of Today

Better informed than Ruth and with a much more varied culture, and bright and sympathetic, he was never weary of her company, if he was not greatly excited by it. She had upon his mind that peaceful influence that Mrs. Bolton had when, occasionally, she sat by his bedside with her work. Some people have this influence, which is like an emanation. They bring peace to a house, they diffuse serene content in a room full of mixed company, though they may say very little, and are apparently unconscious of their own power.
Not that Philip did not long for Ruth’s presence all the same.
Source: Gutenberg

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