Mary Imlay Taylor

Mary Imlay Taylor

Summary

Portrait of Mary Imlay Taylor Mary Imlay Taylor The rebellion of the Princess (1903)

Sophia had her left wrist, but Daria did not look at her: her eyes were riveted upon the sight below, her nostrils dilated, her breath came quickly; I saw her right hand clench. The voice of the mob echoed about us; a raven, frightened by the noise, burst into the window and flew over our heads, beating its wings against the roof in its efforts to escape. Looking at the princess, I felt that she too, was like a captive bird, but still she gazed below and I looked again also, and saw them kill a boyar and dash his brains out on the pavement. I cursed Sophia in my heart as a fiend.
Source: Gutenberg

Portrait of Mary Imlay Taylor Mary Imlay Taylor The rebellion of the Princess (1903)

THE PRINCESS DARIA AS I approached the palace of the Prince Voronin I entered a street which gave me a view of the open space beyond, where the Iberian Chapel stood, overlooking the Red Place, and farther off were the white buildings of the Kremlin, bathed in sunlight, their roofs of scarlet and green and blue, and their crosses of gold, glowing and flashing like so many stars at noonday. I caught, too, a gleam of the Moskva, and heard again the hum of busy life, for there was a throng of people in the Red Place.
Source: Gutenberg

Portrait of Mary Imlay Taylor Mary Imlay Taylor The rebellion of the Princess (1903)

Next morning, as soon as we had finished breakfast, I prepared to set out for the palace of Prince Voronin, to return the locket to the princess of my dreams.
I remember well—as if it had been yesterday—the pains I took with my toilet, and how hard I stared at myself in the mirror that Maître le Bastien had brought from Paris. Yet I was no longer a callow youth to have my head turned by such folly; it only goes to show what a fool a man can be over a beautiful face.
Source: Gutenberg

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