Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — In the Pavilion (1919)

In the darkness Billy Grant half stretched out his arms, then dropped them, ashamed.
"Would you like another blanket?"
"If there is one near."
She came in a moment later with the blanket and spread it over the bed. He lay very still while she patted and smoothed it into place. He was mustering up his courage to ask for something—a curious state of mind for Billy Grant, who had always taken what he wanted without asking.
"I wish you would kiss me—just once!" he said wistfully. And then, seeing her draw back, he took an unfair advantage: "I think that's the reason I'm not sleeping."
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — In the Pavilion (1919)

And, because in a hospital one lives many lives vicariously with many people, what the girl back home would never have understood this girl did and faced unabashed. Life, as she knew it, was not all good and not all bad; passion and tenderness, violence and peace, joy and wretchedness, birth and death—these she had looked on, all of them, with clear eyes and hands ready to help.
So Billy Grant laid the good and the bad of his life before her, knowing that he was burying it with her.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart Love Stories — In the Pavilion (1919)

Then in the symptom column she wrote: "Delirious."
But Billy Grant was not delirious. A fever of a hundred and four or thereabout may fuse one's mind in a sort of fiery crucible, but when it gets to a hundred and six all the foreign thoughts, like seeing green monkeys on the footboard and wondering why the doctor is walking on his hands—all these things melt away, and one sees one's past, as when drowning, and remembers to hate one's relations, and is curious about what is coming when one goes over.
Source: Wikisource

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