Mary Stewart Cutting

Mary Stewart Cutting

Summary

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Dance-Mad Billy (1920)

Only Mrs. Atterbury looked at him with a new expression, kind but wondering. He felt that she really liked Tips. He delayed going home as long as he could, in view of the scene that would occur when he got there. He knew fatally well his dancing days were numbered; that a scene there had to be—knew, while he rebelled at it. Why, why all this unnecessary bother about what might be so agreeable? Why always take the superior air and call him to account?
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Dance-Mad Billy (1920)

Mrs. Atterbury announced for her own husband's benefit that she had an Idea herself, and he cheeringly observed that a woman never got through surprising you. Even if no one had accomplished anything very great in the moving-picture-play line, everyone's brains seemed to be alertly stirring in some way with inspiring accomplishment.
If Billy had hoped for a dance with lovely Mrs. Breeze—who, to his astonishment, he found had a daughter of sixteen, also writing a photo-play—one turn with Mrs. Atterbury dispelled his disappointment.
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — Dance-Mad Billy (1920)

In a dull and anxious season indeed for a young architect with a wife and two little boys to support, Mr. Sterling had lately been working both at the office and at home, at the behest of a heaven-sent Mr. Atterbury, long resident abroad, on the plans for a Moorish villa, dreamed of by Mr. Atterbury's wife, that should be Moorish-American, rather, with plenty of windows, bath-rooms, and closets, and steam heat even for the Oriental, glassed-in sleeping roof.
Source: Wikisource

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