Summary

Anonymous The Dance (by An Antiquary)

Dancing, music and poetry were inseparable. Dancing is the poetry of motion, and its connection with music, as the poetry of sound, occurs at all times. In our own day musical themes are marked by forms originally dance times, as waltz time, gavotte time, minuet time, etc.
Amongst the earliest representations that are comprehensible, we have certain Egyptian paintings, and some of these exhibit postures that evidently had even then a settled meaning, and were a phrase in the sentences of the art.
Source: Gutenberg

Anonymous The Dance (by An Antiquary)

Having entered the place where the company is gathered for the dance, choose a good young lady (honneste damoiselle) and raising your hat or bonnet with your right hand you will conduct her to the ball with your left. She, wise and well trained, will tender her left and rise to follow you. Then in the sight of all you conduct her to the end of the room, and you will request the players of instruments to strike up a 'basse danse'; because otherwise through inadvertance they might strike up some other kind of dance. And when they commence to play you must commence to dance.
Source: Gutenberg

Anonymous The Dance (by An Antiquary)

As soon as man was man he without doubt began to gesticulate with face, body, and limbs. How long it took to develop bodily gesticulation into an art no one can guess—perhaps a millennium.
In writing of dancing, one will therefore include those gesticulations or movements of the body suggesting an idea, whether it be the slow movement of marching, or the rapid gallop, even some of the movements that we commonly call acrobatic.
Source: Gutenberg

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