Maud Howe Elliott

Maud Howe Elliott

Summary

Portrait of Maud Howe Elliott Maud Howe Elliott,  Julia Ward Howe, 1819-1910

“ At this time she writes to her sister Annie:—
"I cannot yet write of what has come to me. Chev and I feel that we are baptized into a new order of suffering—those who have lost children, loving them, can never be like those who have not. It makes a new heaven and a new earth. The new heaven I have not yet—the blow is too rough and recent. But the new earth, sown with tears, with the beauty and glory gone out of it, the spring itself, that should have made us happy together, grown tasteless and almost hateful. All the relish of life seems gone with him.
”
Source: Gutenberg

Portrait of Maud Howe Elliott Maud Howe Elliott,  Julia Ward Howe, 1819-1910

“ I am in the old place, but the old Dudie is not in me; in her stead is a spirit of crossness and dullness, insensible to all the gentler influences of life, knowing no music, poetry, wit, or devotion, intent mainly upon holding on to the ropes, and upon getting through the present without too much consciousness of it.... All society has been paralyzed by the shocking murder of Dr. Parkman. There has perhaps never been in Boston so horrible and atrocious an affair. The details of the crime are too heart-sickening to be dwelt upon. ”
Source: Gutenberg

Portrait of Maud Howe Elliott Maud Howe Elliott,  Julia Ward Howe, 1819-1910

“ Louisa was like a damask rose, Annie like a dark lily; dark, too, of eyes and hair were Sam and Marion, while Henry was fair and blue-eyed.
At this distance of time, it may not be unpardonable to touch briefly on another aspect of our mother's youth; indeed, it would hardly be candid to avoid it. From the first she seems to have stirred the hearts of men. Her masters, old and young, fell in love with her almost as a matter of course. Gilded youth and sober middle-age fared no better; her girlhood passed to the sound of sighing.
”
Source: Gutenberg

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