Summary

Max Radin The Jews among the Greeks and Romans

Whatever may have been the origins of Greek art, from the seventh century on no one seriously questioned that Greek workmen could produce, in any material, more beautiful objects than any other people. Artistic appreciation is no doubt a plant of slow growth, but the pleasure in gorgeous coloring, in lifelike modeling, in fine balances of light and shade, in grouping of masses, is derived immediately from the visual sensation. No peasant of Asia could fail to be impressed by his first glimpse of such a city as the Ephesus and Miletus of even the sixth or fifth century.
Source: Gutenberg

Max Radin The Jews among the Greeks and Romans

So far Rome had dealt only with the West, but with the permanent eastward bent of men’s minds the lord of the Western Mediterranean was, as such, a power in the East as well. Scarcely a single generation passed before it became the sole power in the East, so that future political history becomes the act of officially recording successive realizations of that fact. And yet, this extraordinary people, which had in an astoundingly short time secured the primacy over a considerable fraction of the earth, was apparently possessed of slighter intellectual endowments than many of its subjects.
Source: Gutenberg

Max Radin The Jews among the Greeks and Romans

Among these men, who were naturally open to cultural impressions, the attraction of Hellenism was undoubted, and had been growing slowly for years before Alexander, and it had meant for them all the charm of an intellectual discovery. The mere fact that what the Greeks had was new and different could have been of no real influence. There must have been an actual and evident superiority in Greek life or culture to have drawn to itself so quickly the desires and longings of alien peoples.
Source: Gutenberg

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