Summary

Portrait of Mona Caird Mona Caird The Daughters of Danaus

I have struggled long enough. I can keep silence no longer. I have thought of late that your feeling for me had changed; a thousand things have made me hope—good heavens, if you knew what that means to a man who had lost it! Ah! speak—don’t look like that, Hadria,—what is there in me that you always turn from? Speak, speak!”
“Ah! life is horribly difficult!” she exclaimed. “I wish to heaven I had never budged from the traditions in which I was educated—either that, or that everybody had discarded them. I feel one way and think another.”
“Then you do love me, Hadria,” he cried.
Source: Gutenberg

Portrait of Mona Caird Mona Caird The Daughters of Danaus

Temperley dared to assert—in the same cause. They were both victims of the same creed. It was a terrible cultus, a savage idol that had devoured them both, as cruel and insatiable as the brazen god of old, with his internal fires, which the faithful fed devoutly, with shrinking girls and screaming children.
“I still fail to understand why you adopt this child,” said Valeria. “My Caterina would never have done it.”
“The little creature interests me,” said Hadria. “It is a tiny field for the exercise of the creative forces. Every one has some form of active amusement.
Source: Gutenberg

Portrait of Mona Caird Mona Caird The Daughters of Danaus

It is worse than folly to underrate the forces of the enemy. It is always worse than folly to deny facts in order to support a theory. Exhort people to face and conquer them. You can help more than you dream, even as things stand. I cannot tell you what you have done for me, dear Hadria.” (He held out his hand to her.) “And the helpless, human and animal—how they wring one’s heart! Do not forget them; be to them a knight-errant. You have suffered enough yourself, to know well how to bind their wounds.” The speaker paused, for a moment, to battle with a paroxysm of pain.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature