Summary

N.Y.) George R. Fuller Co. (Rochester The Making of a Man: Being a Description of Artificial Limbs and How They May Be Adopted by Those…

Describe your case as clearly and briefly as possible, stating whether amputation is above or below the knee or elbow, when amputated, length and condition of the stump, your age, weight and occupation, whether you have ever worn an artificial limb, if so, how long and what make or makes, and be particular to write your name and address plainly, giving the post office, county and state. Any inquiries that are made on the subject of artificial limbs will be promptly answered to the best of our knowledge, and any information that we can give will be cheerfully imparted.
Source: Gutenberg

N.Y.) George R. Fuller Co. (Rochester The Making of a Man: Being a Description of Artificial Limbs and How They May Be Adopted by Those…

The average durability of an artificial leg we estimate to be from seven to eight years. Artificial arms not being subject to the strain and wear of a leg will last much longer, the average time, we should say, being double that of a leg. It should be borne in mind, however, that they are but a mechanical imitation of Nature and require attention the same as any other piece of mechanism, and that it pays to keep them at all times clean and in good working order, and that the better the care the better and more lasting will be the service.
Source: Gutenberg

N.Y.) George R. Fuller Co. (Rochester The Making of a Man: Being a Description of Artificial Limbs and How They May Be Adopted by Those…

Each limb is made expressly to order for some one individual, and the limb when completed is of little or no value to any one except the person for whom it is made. It requires some degree of patience and perseverance to overcome the awkwardness and possible disappointment associated with the first trial of an artificial limb, and if there be no obligation and no sacrifice on the part of the would-be purchaser provided the limb is not accepted, there is a possibility of its being declined, and the maker, through no fault of his work, becomes the loser.
Source: Gutenberg

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