Summary

Edwin Ward Jackson Jackson's Gymnastics for the Fingers and Wrist (1864)

Suppose a boy from 10 to 14 years old, who is strong and healthy by means of gymnastics and other exercises, set to learn the piano or violin. His body is strong with gymnastic exercises, but his wrists and fingers are weak and awkward. How is he, with the method now in use, to succeed in playing an instrument well, without very long and wearying work? No wonder that the painful exertion almost makes him despair, and that finally he gives up the thing altogether.
Source: Gutenberg

Edwin Ward Jackson Jackson's Gymnastics for the Fingers and Wrist (1864)

The gymnast exercises his limbs through preparatory exercises; how, therefore, is it possible for the player of the piano and violin to dispense with this gymnastic preparation of the joints of the hand and fingers?”—Prof. Rector v. Schmidt, President of the Royal Gymnasium. “La souplesse et l’étendue des poignets dépendent du développement gymnastique des forces. La gymnastique développe l’aisance et la grâce.”—Dr M. Bally. “For so great an art as piano or violin playing, the muscles of the fingers are weak; they ought to be prepared by proper gymnastic exercises.”—Ferguson.
Source: Gutenberg

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