Pío Baroja

Pío Baroja

Summary

Portrait of Pío Baroja Pío Baroja Cæsar or Nothing

She was rather loaded with jewels, which gave her the aspect of an ancient goddess.
“You, who find everything wrong,” said Mlle. Cadet to Cæsar, “what have you to say of that woman? I have been looking at her ever since she came in, and I don’t find the slightest defect.”
“Nor I. It is a face which gives no indication that the least shadow of sorrow has ever crossed it. It is beauty as serene as a landscape or as the sea when calm. Moreover, that very perfection robs it of character. It seems to be less a human face than a symbol of an apathetic being and an apathetic beauty.”
Source: Gutenberg

Portrait of Pío Baroja Pío Baroja Cæsar or Nothing

Cæsar would walk on by the winding road, and stop to look at the Cemetery of San Martín on the right, with its black cypresses and its yellowish walls.
Then he would follow the twists of the Canalillo, and pass in front of the third Reservoir, to the Amaniel road.
That was where Cæsar would have built himself a house, had he had the idea of living retired.
The dry, hard landscape was the kind he liked. The mornings were wonderful, the blue sky radiant, the air limpid and thin.
The twilight had an extraordinary enchantment.
Source: Gutenberg

Portrait of Pío Baroja Pío Baroja Cæsar or Nothing

How many faces pale with envy there are! What low and repugnant hatreds! When I come out nauseated by seeing those people; when I am soaked with repugnance, then I come out here to walk, I look at those serious mountains, so frowning and strong, and the mere sight of them seems like a purifying flame which cleanses me from meanness.”
“I see that you are as absurd as ever, Cæsar. It would never occur to anybody to come and comfort himself with some melancholy mountains, out here between an abandoned hospital, which looks like a leper-asylum, and a deserted cemetery.”
Source: Gutenberg

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