Summary

Portrait of Richard Le Gallienne Richard Le Gallienne Little Dinners With the Sphinx…

That the rose must shed its petals and turn to a lonely autumn berry is surely nothing against the reality of the rose. It was real enough in June.
Yes, it is because I feel so deeply the reality of this dream that has passed away that I wish Miranda would let me keep her beautiful record of it. If it had been real no other way, it would be real in her words, for beautiful words make all things real, and are, perhaps, the longest lived of all realities. So long as Miranda’s letters survive, our dream is not dead. It has only ascended into the finer life of words.
Source: Gutenberg

Portrait of Richard Le Gallienne Richard Le Gallienne Little Dinners With the Sphinx…

I can make no pretense of being a learned naturalist, and the names of many a bird and flower I love often escape me—as one often forgets the name of some charming acquaintance, whom none the less one is delighted to meet again. I am content to go up the wood in entire ignorance of the Latin and even English names of the various presences that fill it with leafage and perfume and song; but Eva is of a different temper. She is an exact scientist, and insists on knowing the name and the how and the why of every leaf and flower and insect that crosses our path.
Source: Gutenberg

Portrait of Richard Le Gallienne Richard Le Gallienne Little Dinners With the Sphinx…

All that had been Meriel had passed into Sid’s love for Rosamund. Meriel herself could only be a ghost, however beautifully visible and audible, a fair house of dreams from which the dreams had departed. Yet, for all that, it was not without some agitation that Sid found himself at length in the quaint little seaside town, whence a ferryboat would take him to a village across the bay, high over which Meriel and her mother lived, looking over the sea. Her ghost began to grow more and more luminous with memories, as a pale moon fills with silver as the night deepens.
Source: Gutenberg

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