Richard Le Gallienne

Richard Le Gallienne

Summary

Portrait of Richard Le Gallienne Richard Le Gallienne Prose Fancies

To kneel to yourself in adoration, to laugh and nod and beckon to yourself with your own smiles and dimples, to yearn in hopeless passion for your own loveliness. To finger silken garments, linings to the casket of your beauty, never seen of men, to draw on stiff embroidered gowns, to deck your hands with glittering jewels, and your wrists with bands of gold—and then to sail forth from your boudoir like the moon from a cloud, regally confident of public worship; to be at once poet and poem, painter and painted: does not this belong to the lot of woman?
Source: Gutenberg

Portrait of Richard Le Gallienne Richard Le Gallienne Prose Fancies

But if a face can mean more to you than the whole of Johnson's Dictionary, and the Encyclopædia Britannica to boot, if a strain of music can convey to you the thrill of human life, with its heights and depths and romantic issues and possibilities, as Gibbon and Grote can never do—come and worship White Soul's face with me. Some women's faces are like diamonds—they look their best in artificial lights; White Soul's face is bright with the soft brightness of a flower—a flower tumbled with dew, and best seen in the innocent lights of dawn.
Source: Gutenberg

Portrait of Richard Le Gallienne Richard Le Gallienne Prose Fancies

Siss called him her Punchinello, likewise her poet, for Jim is a poet who makes his poetry of his own bright face and body, acts it night after night to an audience, and the people laugh and cry as he plays, for his face is like a bubbling spring, full of laughing eddies on the surface, but ever so deep with sweet freshness beneath—and some catch sight of the deeps. The world knows him as a comedian. Siss knows him as a poet, and because she knows what loving tender tears are in him as well as laughter, she calls him her Punchinello.
Source: Gutenberg

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