Charles Baudelaire

“ She was not handsome, not intelligent, not good; yet he idealized her, for she was the source of half his inspiration. To her were addressed those marvellous evocations of the Orient, of perfume, tresses, delicious dawns on strange far-away seas and "superb Byzant," domes that devils built. Baudelaire is the poet of perfumes; he is also the patron saint of ennui. No one has so chanted the praise of odours. His soul swims on perfume as do other souls on music, he has sung. ”

“ Do you know that feverish malady that seizes hold of us in our cold miseries; that nostalgia of a land unknown; that anguish of curiosity? It is a land which resembles you, where all is beautiful, rich, tranquil and honest, where phantasy has built and decorated an occidental China, where life is sweet to breathe, and happiness married to silence. It is there that one would live; there that one would die.
Yes, it is there that one must go to breathe, to dream, and to lengthen one's hours by an infinity of sensations. ”

“ Like Wagner, Baudelaire painted in his sultry music the profundities of abysms, the vastness of space. He painted, too, the great nocturnal silences of the soul.
Pacem summum tenent! He never reached peace on the heights. Let us admit that souls of his kind are encased in sick frames; their steel is too shrewd for the scabbard; yet the enigma for us is none the less unfathomable. Existence for such natures is a sort of muffled delirium. To affiliate him with Poe, De Quincey, Hoffman, James Thomson, Coleridge, and the rest of the sombre choir does not explain him ”

“ There are no artistic abominations upon the walls. Compared with the pure dream, with an impression unanalysed, definite art, positive art, is a blasphemy. Here all has the sufficing lucidity and the delicious obscurity of music.
An infinitesimal odour of the most exquisite choice, mingled with a floating humidity, swims in this atmosphere where the drowsing spirit is lulled by the sensations one feels in a hothouse.
The abundant muslin flows before the windows and the couch, and spreads out in snowy cascades. Upon the couch lies the Idol, ruler of my dreams. ”

“ You take them gently to the sea that is Infinity, reflecting the profundities of the sky in the limpid waters of your lovely soul;—and when, outworn by the surge and gorged with the products of the Orient, the ships come back to the ports of home, they are still my thoughts, grown rich, that have returned to you from Infinity.
WHAT IS TRUTH?
I once knew a certain Benedicta whose presence ailed the air with the ideal and whose eyes spread abroad the desire of grandeur, of beauty, of glory, and of all that makes man believe in immortality. ”

“ A true country of Cockaigne, I have said; where all is rich, correct and shining, like a beautiful conscience, or a splendid set of silver, or a medley of jewels. The treasures of the world flow there, as in the house of a laborious man who has well merited the entire world. A singular land, as superior to others as Art is superior to Nature; where Nature is made over again by dream; where she is corrected, embellished, refashioned.
Let them seek and seek again, let them extend the limits of their happiness for ever, these alchemists who work with flowers! ”

“ There is a reflection of the joy of the rich deep in the eyes of the poor that is always interesting. But to-day, beyond this people dressed in blouses and calico, I saw one whose nobility was in striking contrast with all the surrounding triviality. She was a tall, majestic woman, and so imperious in all her air that I cannot remember having seen the like in the collections of the aristocratic beauties of the past. A perfume of exalted virtue emanated from all her being. Her face, sad and worn, was in perfect keeping with the deep mourning in which she was dressed. ”

“ When the subtlety, force, grandeur, of his poetic production be considered, together with its disquieting, nervous, vibrating qualities, it is not surprising that Victor Hugo wrote to the poet: "You invest the heaven of art with we know not what deadly rays; you create a new shudder." Hugo might have said that he turned Art into an Inferno. Baudelaire is the evil archangel of poetry. In his heaven of fire, glass and ebony he is the blazing Lucifer. "A glorious devil, large in heart and brain, that did love beauty only..." once sang Tennyson, though not of the Frenchman. ”

“ The setting suns that colour the rooms and salons with so rich a light, shine through veils of rich tapestry, or through high leaden-worked windows of many compartments. The furniture is massive, curious, and bizarre, armed with locks and secrets, like profound and refined souls. The mirrors, the metals, the ail ver work and the china, play a mute and mysterious symphony for the eyes; and from all things, from the corners, from the chinks in the drawers, from the folds of drapery, a singular perfume escapes, a Sumatran revenez-y, which is like the soul of the apartment. ”

“ He has a great delight who drowns his gaze in the immensity of sky and sea. Solitude, silence, the incomparable chastity of the azure—a little sail trembling upon the horizon, by its very littleness and isolation imitating my irremediable existence—the melodious monotone of the surge—all these things thinking through me and I through them (for in the grandeur of the reverie the Ego is swiftly lost) ; they think, I say, but musically and picturesquely, without quibbles, without syllogisms, without deductions. ”

“ Pity is their keynote, a tenderness for the abject and lowly, a revelation of sensibility that surprised those critics who had discerned in Baudelaire only a sculptor of evil. In one of his poems he described a landscape of metal, of marble and water; a babel of staircases and arcades, a palace of infinity, surrounded by the silence of eternity. This depressing yet magical dream was utilized by Huysmans in his A Rebours. But in the tiny landscapes of the Prose Poems there is nothing rigid or artificial. Indeed, the poet's deliberate attitude of artificiality is dropped. He is human. ”

“ Enthusiastic poet! Charming literary person! Yet the American, whoever he was, represented public opinion at the time. To-day criticisms of Poe are vitiated by the desire to make him an angel. It is to be doubted whether without his barren environment and hard fortunes we should have had Poe at all. He had to dig down deep into the pit of his personality to reach the central core of his music. But every ardent young soul entering "literature" begins by a vindication of Poe's character. Poe was a man, and he is now a classic. He was a half-charlatan as was Baudelaire. ”

“ But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. ”

“ Gather remorseful blossoms in light mood—
Grief, place thy hand in mine, let us be gone
Far from them. Lo, see how the vanished years,
In robes outworn lean over heaven's rim;
And from the water, smiling through her tears,
Remorse arises, and the sun grows dim;
And in the east, her long shroud trailing light,
List, O my grief, the gentle steps of Night.
TO A BROWN BEGGAR-MAID. White maiden with the russet hair,
Whose garments, through their holes, declare
That poverty is part of you,
And beauty too. ”

“ But why is she here?—who has brought her?—what magical power has installed her upon this throne of delight and reverie? What matter—she is there; and I recognise her.
These indeed are the eyes whose flame pierces the twilight; the subtle and terrible mirrors that I recognise by their horrifying malice. They attract, they dominate, they devour the sight of whomsoever is imprudent enough to look at them. I have often studied them; these Black Stars that compel curiosity and admiration. ”

“ It may not be amiss to remind ourselves that Baudelaire was the creator of many of the paradoxes attributed, not only to Whistler, but to an entire school—if one may employ such a phrase. The frozen imperturbability of the poet, his cutting enunciation, his power of blasphemy, his hatred of Nature, his love of the artificial, have been copied by the æsthetic blades of our day. He it was who first taunted Nature with being an imitator of art, with always being the same. ”

“ To be told that Chopin filed at his music for years, that Beethoven in his smithy forged his thunderbolts by the sweat of his brow, that Manet toiled like a labourer on the dock, that Baudelaire was a mechanic in his devotion to poetic work, that Gautier was a hard-working journalist, are disillusions for the sentimental. Minerva springing full-fledged from Jupiter's skull to the desk of the poet is a pretty fancy; but Balsac and Flaubert did not encourage this fancy. Work literally killed Poe, as it killed Jules de Goncourt, Flaubert and Daudet. ”

“ And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land.
There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze. ”

“ Lest you be the martyred slaves of Time, intoxicate yourselves, be drunken without cease! With wine, with poetry, with virtue, or with what you will."
THE GIFTS OF THE MOON.
The Moon, who is caprice itself, looked in at the window as you slept in your cradle, and said to herself: "I am well pleased with this child."
And she softly descended her stairway of clouds and passed through the window-pane without noise. She bent over you with the supple tenderness of a mother and laid her colours upon your face. Therefrom your eyes have remained green and your cheeks extraordinarily pale. ”

“ Poe is without passion, except a passion for the macabre; what Huysmans calls "The October of the sensations"; whereas, there is a gulf of despair and terror and humanity in Baudelaire, which shakes your nerves, yet stimulates the imagination. However, profounder as a poet, he was no match for Poe in what might be termed intellectual prestidigitation. The mathematical Poe, the Poe of the ingenious detective tales, tales extraordinary, the Poe of the swift flights into the cosmic blue, the Poe the prophet and mystic—in these the American was more versatile than his French translator. ”

“ But this soul-nest is also a cemetery of the seven sorrows. He loves the clouds ... les nuages ... là bas.... It was là bas with him even in the tortures of his wretched love-life. Corruption and death were ever floating in his consciousness. He was like Flaubert, who saw everywhere the hidden skeleton. Félicien Hops has best interpreted Baudelaire; the etcher and poet were closely knit spirits. Rodin, too, is a Baudelarian. If there could be such an anomaly as a native wood-note wildly evil, it would be the lyric and astringent voice of this poet. ”

“ To such places above all others do the poet and philosopher direct their avid conjectures. They find there an unfailing pasturage, for if there is one place they disdain to visit it is, as I have already hinted, the place of the joy of the rich. A turmoil in the void has no attractions for them. On the contrary they feel themselves irresistibly drawn towards all that is feeble, ruined, sorrowing, and bereft. ”

“ Moreover, there is always something wanting in the mourning of the poor; a lack of harmony which but renders it the more heart-breaking. It is forced to be niggardly in its show of grief. They are the rich who exhibit a full complement of sorrow.
Who is the saddest and most saddening of widows: she who leads by the hand a child who cannot share her reveries, or she who is quite alone? ”