Charles Baudelaire

Charles Baudelaire

Summary

Portrait of Charles Baudelaire Charles Baudelaire Charles Baudelaire, His Life

A charming poem on perfumes classifies them, rousing ideas, sensations, and memories. Some are fresh, like the flesh of an infant, green like the fields in spring, recalling the blush of dawn and carrying with them the thoughts of innocence. Others, like musk, amber, benzoin, nard, and incense, are superb, triumphant, worldly, and provoke coquetry, love, luxury, festivities, and splendours. If one transposed them into the sphere of colours, they would represent gold and purple. The poet often recurs to this idea of the significance of perfumes.
Source: Gutenberg

Portrait of Charles Baudelaire Charles Baudelaire Charles Baudelaire, His Life

The forest is full of magic odours. The odour of amber and incense, the scent of benzoin and musk, the perfumes form themselves into one harmonic chord in which the enraptured senses and that throbbing exaltation which is of the soul, fuse into a triumphant hinting of sense and sound.
If this is not gathering the conflicting claims, bewildering experiences, the entangled interests of modern life into one receptive cistern of the brain where consciousness stands tasting all that comes, then the poem of Baudelaire means nothing, and the beautiful prose of Pater has drawn nothing from it.
Source: Gutenberg

Portrait of Charles Baudelaire Charles Baudelaire Charles Baudelaire, His Life

Without vain expatiation as to whether one should prefer dawn or twilight, one ought to paint the hour which is at hand, and with a palette of all the colours necessary to give it its full effect. Has not sunset its beauty as well as dawn? The copper-reds, the bronze-golds, the turquoise melting to sapphire, all the tints which blend and pass away in the great final conflagration, the light-pierced clouds which seem to take the form of a falling aerial Babel—have they not as much to offer to the poet as the rosy-fingered Dawn?
Source: Gutenberg

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