Summary

Portrait of Upton Sinclair Upton Sinclair The Journal of Arthur Stirling…

I will toil and strive for it, I will haunt men with it, I will shout it from the housetops. No other book—no future book—this book! It is a great book—a great book—it is—it is!
I am not ignorant of the price it costs to do that; it is my fate that I have to pay it. I can see, for instance, how Wordsworth paid it—Wordsworth, our greatest, our noblest poet since Milton. He had his sacred inspiration, and the world laughed at it; and so, grimly, systematically, he set to work to teach them—to say to all men—to say to himself—to say day and night—“It is poetry! It is great poetry! It is—it is!”
Source: Gutenberg

Portrait of Upton Sinclair Upton Sinclair The Journal of Arthur Stirling…

You will seize them in your naked hands and wrestle with them, and bend them to your will—all that is the making of a poem. And last and worst of all, you will hold them in your memory, the long, long surge of them; the torrent of whirling thought—you will hold it in your memory! You are dazed with excitement, exhausted with your toil, trembling with pain; but you have built a tower out of cards, and you have mounted to the clouds upon it, and there you are poised. And anything that happens—anything!—Ah, God, why can the poet not escape from his senses?—a sound, a touch—and it is gone!
Source: Gutenberg

Portrait of Upton Sinclair Upton Sinclair The Journal of Arthur Stirling…

It came with a sound that stunned me, with a flash that lit in one instant the whole horizon of my mind.
“I am a captive! I am The Captive! Fool that I am,—pent here in these prison-walls of tyranny, and beating out my brains against them! Panting—praying—cursing—pining to be free! And I am The Captive!”
The thing struck terror into the last chambers of my soul. I stood stock still; I felt my flesh quiver, I felt my very hair move. I saw a pair of demon eyes glaring into mine—I saw all the wildness and the fearfulness of life in that one instant.
Source: Gutenberg

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