Romain Rolland

Romain Rolland

The Idols (1915)

Summary

Portrait of Romain Rolland Romain Rolland,  The Idols (1915)

“ No one contributes more to this than the intellectual, whose trade it is to handle them, who, biased by his profession, is always tempted to subordinate reality to them. Let there supervene a collective passion which completes his blindness, and it will be cast in the form of the idea which can best serve its purpose: it transfers its life-blood to that idea, and the idea magnifies and glorifies it in turn. Nothing is more long-lived in a man than a phantom which his own mind has created, a phantom in which are combined the madness of his heart and the madness of his head. ”
Source: Wikisource

Portrait of Romain Rolland Romain Rolland,  The Idols (1915)

“ We grow faint in the endeavour to cut the bonds which bind mankind, who straightway tie them again to be more firmly enthralled. Of every liberator men make a master. Every ideal which ought to liberate is transformed into a clumsy Idol. The history of humanity is the history of Idols and of their successive reigns; and as humanity grows older the power of the Idol seems to wax greater and more destructive. ”
Source: Wikisource

Portrait of Romain Rolland Romain Rolland,  The Idols (1915)

“ But the unheard of weakness with which the leaders of thought have everywhere abdicated to the collective madness has certainly proved their lack of character. Certain somewhat paradoxical passages in my own writings have caused me at times to be styled an anti-intellectual; an absurd charge to bring against one who has given his life to the worship of thought. But it is true that Intellectualism has often appeared to me as a mere caricature of Thought—Thought militated, deformed, and petrified, powerless, not only to dominate the drama of life, but even to understand it. ”
Source: Wikisource

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