Summary

Portrait of Romain Rolland Romain Rolland The People's Theater — Types of People's Drama…

Nothing that is human is foreign to her. From Attila to Napoleon, from the fields of Catalauni to Waterloo, from the Crusades to the Convention, the destinies of the world have been fought for and decided on her soil. The heart of Europe beat within the breasts of her monarchs, her thinkers, and her Revolutionary leaders. No matter how great this people has been in the realm of intellect it has been preeminently great in deeds. Action is the most sublime creation of France, its theater, its drama, its epic. France accomplished what other nations dreamed.
Source: Wikisource

Portrait of Romain Rolland Romain Rolland The People's Theater — Types of People's Drama…

No other sort of play is better adapted to the Theater we are seeking to found. Without considering the communicative emotion which is invariably aroused in the people by witnessing actual events rather than by seeing fictitious adventures; without considering the illusion, more nearly complete than in any other literary invention; without considering the magnetic force of example, and of the action which irresistibly springs from action, historical drama enjoys the inestimable advantage of shaping the conscience and the intelligence of the people.
Source: Wikisource

Portrait of Romain Rolland Romain Rolland The People's Theater — Types of People's Drama…

The majority of those who take it upon themselves to educate the people demand that the drama shall offer a cut-and-dried solution to the problems of the day. Leaving aside the fact that some problems cannot be solved at present, and that it would be most unwise to try to hasten their solution, there is nothing more fatal to education than to impose ready-made formulas on the people.
Source: Wikisource

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